Opere complete: Le giornate di Sodoma – Storielle e racconti · Other editions. Enlarge cover. by. Marquis de Sade,. Gianni Nicoletti (translator). Ispirato alla moda delle storie naturali settecentesche, Le giornate di Sodoma – terminato da Sade nel nel carcere della Bastiglia – -è una vera e . Le giornate di Sodoma. Front Cover. Donatien Alphonse François de Sade. Newton Bibliographic information. QR code for Le giornate di Sodoma.

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Sign in with Facebook Other Sign in options. The Aquaman star picks which of his fellow DC Universe villains would win in a battle. Which villain would come out on top?

An aging porn star agrees to participate in an “art film” in order to make a clean ed from the business, only to discover that he has been drafted into making a pedophilia and necrophilia themed snuff film.

During a rescue mission into the Amazon rainforest, a professor stumbles across lost film shot by a missing documentary crew. A youth is giorrnate by a beautiful slave girl to be her new master; she is kidnapped and they must search for each other.

Stories are told within stories; love, travel and the whims of destiny.

Pasolini’s artistic, sometimes violent, always vividly cinematic retelling of giormate of Chaucer’s most erotic tales. A grieving couple retreat to their cabin in the woods, hoping to repair their broken hearts and troubled marriage, but nature takes its course and things go from bad to worse.

Nazi-Fascist Northern Italy, Four senior members of government, aided by henchmen and Nazi soldiers, kidnap a group of young men and women.

They hold them for days, subjecting them to all manner of torture, perversion and degradation. Salo, the final film by Pasolini, is far and away the most affecting film I’ve ever seen of it’s type. The images that it shows will stay with every viewer forever, they are unforgettable.

Yet, you will wish you could forget them. The film is about a group of rich Fascists during WWII-Nazi Occupied Italy, where they kidnap a group of 18 youngsters, allowing only physically perfect specimins to stay, and subject them to various forms of mental, physical and sexual torture over the next Days.

The torture starts off in a sexual nature–Sodomy, rape, humiliation and so on– and slowly degrades and descends into mental and physical torture. Just when you think what you are seeing can’t get worse, it does, ten-fold.

What makes Salo so brutally shocking and disturbing is its uncompromised and blunt way of showing the acts of horror. It is a very quiet and slow film, mostly shot using static and still cameras, it feels more like a documentary than a fictional film.

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Le 120 giornate di Sodoma

It’s clear upon viewing, that Pasolini wanted to remind us all that violence should not be entertainment. As such, every act of violence and degredation is drained of all its possible energy and excitement, and shown in a sad, sqde light. Nothing is sugar coated, nothing is softened. This film is an attack on our desensitized feelings towards violence. Yet, at the soddoma time, the film purposely desensitizes us to certain acts — Such as rape.

We see it so much during the film that it becomes “normality” to us, we barely raise an eyebrow. Upon realizing this, one also realizes how the horrible acts shown in the film are possible, and it’s a terrible realization. Salo continues to descend until at the end, when we are taken to the punishing grounds, where various rule breakers are tortured and murdered. This final sequence is the most harrowing and effective I’ve ever seen in a film. As the victims are tortured and murdered, each one of the fascist rulers take turns as voyer, watching vi a second story window, far enough away to not hear the screams of terror and pain.

And we watch with him. The film attempts to equate our viewing of sde film to their viewing of the executions, after all, we’re watching these acts for “entertainment”, just as he is. And we distance ourselves from the acts in order to enjoy them, sosoma he does by watching through binoculars far away. It’s a savage and truthful attack, one that is impossible to deny.

Also incredibly unsettling is the inherent joy that the villains Heroes? Sometimes even to sodomw point of sexual arousal. There is a scene where a girl is crying because her sadr died trying to save her from these people.

She is completely naked as she weeps, to us, she’s the picture of vulnerability and sadness, to the fascists, it’s the most exciting thing they’ve seen all day. The fascists all stand and watch her weep with the utmost sexualexcitement. It’s scenes like these that set Salo apart from other “gross out” movies.

Opere complete: Le 120 giornate di Sodoma – Storielle e racconti

Some of the most affecting and frightening scenes are ones where there is quiet, watching the expressions and eodoma of people to the various horrible acts.

Salo is a film of rage and sadness. It is a film that asks you to hate humanity, to hate what we’re capable of; to look in the mirror and hate yourself. Then weep because nothing can be done about it.

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Le giornate di Sodoma by Marquis de Sade (5 star ratings)

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In World War II Italy, four fascist libertines round up nine adolescent boys and girls and subject them to one hundred and twenty days of physical, mental and sexual ci. On Disc at Amazon. Share this Rating Title: Use the HTML below. You must be a registered user to use the IMDb rating plugin.

The Days of Sodom – Wikipedia

Learn more More Like This. A Serbian Film An adaptation of nine stories from Boccaccio’s “Decameron”. The Canterbury Tales Edit Cast Cast overview, first billed only: The Duke Giorgio Cataldi The Bishop Umberto Paolo Quintavalle The Magistrate as Umberto P. The President Caterina Boratto Signora Castelli Elsa De Giorgi The Pianist Sergio Fascetti Male Victim Bruno Musso Tonino – Male Victim Claudio Cicchetti Male Victim Franco Merli Male Victim Umberto Chessari Male Victim Lamberto Book Edit Did You Know?

Trivia In at least three scenes, when the four “villains” enter a room, they walk over a beam of light that’s coming from outside.

Goofs In the beginning of the film a Fiat B can be seen. Quotes [ first lines ] [ four men, sitting at a table, each sign a booklet ] The Duke: All’s good if it’s excessive. Crazy Credits Essential Bibliography: Alternate Versions Reviews from the original theatrical release mention scenes not present in any currently existant cut of the film.

One of these is of a young girl stripped nude with hungry rats tied around her genitals; a production photo of this scene serves as the background for one of the menu screens of the Criterion DVD. Connections Referenced in Brows Held High: Frequently Asked Questions Q: Did anything in this movie happen in real life?

Was this review helpful to you? Yes No Report this. Audible Download Audio Books. Signora Vaccari as Helene Surgere. Carlo Porro – Male Victim. Tonino – Male Victim. Lamberto Gobbi – Male Victim.